Back to the Garage: Boss Hog in Toronto

May 23, 2017 at 4:15 pm (Uncategorized)

A funny thing  happened as I reached Lee’s Place on Friday night; I was asked for ID by the guy on the door. “How old are you?” I asked, “Because,  I’m 52.” The other guy mumbled something about being asked for insurance purposes, but in any event, in I went. Phew!

CatL were already on stage. Damn! I’d wanted to get there before their set started, but ended up having to park further away than planned. For those who don’t know, catL are a garage-punk blues duo of guitar and drums (once a duo, then a trio, now a duo albeit of a different composition than the first) . They’ve released four albums, all of them great, but as good as they are on record, the live shows are better. There’s just something about the stripped down line-up, percussion heavy with  a savage guitar sound that makes them unmissable (next Toronto show is at the Dakota Tavern on June 8) . Short set for a small crowd, but I loved every second.

Danny & the Darleans are led by Danny Kroha, a founding member of Detroits’s The Gories. Like catL before them and Boss Hog after them on the night’s bill, Danny & the Darleans play rock ‘n’n roll with a heavy garage blues sound. THere’s little than can be said about this style. It’s short bursts of music thatmove you through its simplicity nad its idrectness. The band played a forty minute set, and we were ready for the main attraction.

Boss Hog formed in the late 1980s, and are fronted by the punk rock power-duo Jon Spencer and Christine Martinez.  The couple are associated with many great bands including Pussy Galore, the Honeymoon Killers, Unsane and of course Spencer’s own Blues Explosion. I saw the band sometime in the early 1990’s at the long-defunct Apocalypse Club on College (a block west of the Mod Club)  promoting their self-titled major label debut for Geffen. The marriage never seemed right, and their next release White Out appeared on In the Red. Then a recording hiatus of 17 years before Brood X appeared as if nothing had happened.

The band took the stage on time (I’ll admit to loving bands that are punctual) , and bang, frantic blues-punk. Martinez stalks the stage, while Spencer plays back up, occasionally taking lead along with Hollis Queens. Their set was short (45 minutes although there were a generous number of encores), but intense. Let’s hope it’s not another 17 years before they release new material (I’ll be 69 then)

Three great bands for twenty and change. How could you not be happy, and if you were at the show, I hope you’ll forgive the heresy: CatL were the best!



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